Showing posts with label Lil' Lists. Show all posts
Showing posts with label Lil' Lists. Show all posts

Saturday, October 15, 2011

10 Things I Learned in First Aid Training by Rebekah Hakkenberg

1. Be very careful who you sit next to on the first day.
Seriously. Choose wisely. Because that person is going to get to know you very intimately by the end of this. Don't choose the lady who will show no respect for your need for personal space (I'll show you where she touched me if you bring me a doll).

Tuesday, July 19, 2011

Lil' Lists: The Best TV Opening Credits or Way to Go, HBO

Lil' Lists: Because everything is better in a list. Mostly because grand blanket statements are perfectly acceptable.

Weeds -- The first season's credits were great, with Malvina Reynolds singing her hit, Little Boxes. But, then in the second and third seasons, other artists were brought in to sing, Elvis Costello, Kate and Anna McGarrigle, Man Man and Joan Baez among them, with Reynolds' version bookending each season. Yep, Elvis Costello, Kate and Anna McGarrigle, Man Man and Joan Baez. 


True Blood -- This might be my favourite; the song is awesome, the visuals are super awesome. Fills me with a desire to read some V.C. Andrews. 


Treme -- I get this song stuck in my head five times a day. Like True Blood, the images and video clips used in combination with the music is brilliant.


The Sopranos -- I feel like this was the first time I saw credits that didn't revolve around cheesy montages of previous episodes and featured a song that I would actually listen to. Gods bless HBO.


The Wire -- Um, Tom Waits sings the credits song for the second season. Yeah. 


Arrested Development -- I'm including this one based on just how excited I get when I hear it. Greatest comedy of all time.  


Boardwalk Empire -- Terrible show. Fucking terrible, yet every time I see the wicked opening, I get fooled into thinking that maybe it's not so terrible. But alas, once the credits end, that feeling of optimism is quickly transformed into a feeling of betrayal and anger that once again I'd been tricked. 


Dexter -- I know a lot of people are pretty grossed out by the egg part but the all the non-threatening imagery combined with the jaunty music really sums up the black-humour of the show.


Freaks and Geeks -- Just perfect. How is it that in the three seconds each character is featured, they manage to convey their personality so perfectly? And there's Joan Jett.


The Simpsons -- Holy crap guys, the Simpsons is twenty-two years old! Do I need to explain why this is included? Since the beginning is so ubiquitous, I've embedded a montage of most of the couch gags. Which is your favourite? I love the Monty Python one.


Six Feet Under -- Hot damn, this show! I love, love, love the shots and colours and orchestral music. They break my heart a little every time I see them.


United States of Tara -- Everyone (EVERYONE) keeps bugging me to watch this show and I will, especially now after watching the opening credits.


Carnivale -- Haven't watched Carnivale either but geez, judging by the credits and the magic of HBO I'd be so into it. Fingers crossed it's not another Boredwalk Empire.


Deadwood -- My well-documented obsession with Deadwood extends to the opening sequence. They tell more of the old west than the 400 John Wayne movies ever could.


Twin Peaks -- This has to be the most perfect pairing of opening and show ever. So eerie and spooky and weirdly melodramatic. Right now I'm listening to it while also listening to the Rebekah Brooks Parliamentary committee. Kind of amazing.

Thursday, March 17, 2011

The 100 Bestest Ever Male Characters In Movies Ever by Alex Snider

Orson says relax
Total Film recently released the top 100 greatest female character list or as I think it should be called, "Dude, it's so awesome when chicks I want to bang kill people!" and it inspired me to come up with my list of the 100 greatest male characters which, like the sacrificial virgins to a volcano, shall be released every full moon in installments of ten.